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一 | 编者按 工业和信息化部、中央网信办等部门近日联合印发的《关于推动互联网基础资源高质量发展的指导意见》提出，到2035年，我国成为全球互联网基础领域重要创新策源地和引领者。 Filmfare returned with the 6th edition of the Filmfare OTT Awards to honour the finest artistes, directors, storytellers, musicians and technicians from OTT series, web original films and short films. The grand awards ceremony, held on December 15, 2025, saw some of the best names take home the prestigious Black Lady. The Best Series Award went to Black Warrant while Paatal Lok bagged the Best Series, Critics' Award. Monika Panwar won in the Best Actor Series (Female): Drama category for her role in the spine-chilling Khauf while Jaideep Ahlawat won the Best Actor, Series (Male): Drama award for the gritty Paatal Lok. Barun Sobti and Sparsh Shrivastava were joint winners in the Best Actor Series (Male): Comedy category for Raat Jawaan Hai and Dupahiya, respectively. Ananya Panday bagged the Best Actor, Series (Female): Comedy award for for Call Me Bae. Here are the winners of Filmfare OTT Awards 2025, co-powered by Hyundai and Blenders Pride. In This Article BEST SERIESBEST DIRECTOR, SERIESBEST SERIES (CRITICS')BEST DIRECTOR: SERIES (CRITICS')BEST ACTOR, SERIES (MALE): DRAMABEST ACTOR (MALE), SERIES, CRITICS': DRAMABEST ACTOR, SERIES (FEMALE): DRAMABEST ACTOR (FEMALE), SERIES, CRITICS': DRAMABEST COMEDY (SERIES/SPECIALS)BEST ACTOR, SERIES (MALE): COMEDYBEST ACTOR, SERIES (FEMALE): COMEDYBEST SUPPORTING ACTOR, SERIES (MALE): DRAMABEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMABEST SUPPORTING ACTOR, SERIES (MALE): COMEDYBEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDYBEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL)BEST FILM, WEB ORIGINALBEST DIRECTOR, WEB ORIGINAL FILMBEST WEB ORIGINAL FILM: CRITICS'BEST ACTOR, WEB ORIGINAL FILM (MALE)BEST ACTOR, WEB ORIGINAL FILM (FEMALE)BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILMBEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILMBEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)BEST STORY, SERIESBEST ORIGINAL SCREENPLAY, SERIESBEST ADAPTED SCREENPLAY, SERIESBEST DIALOGUE, SERIESBEST CINEMATOGRAPHER, SERIESBEST PRODUCTION DESIGN, SERIESBEST EDITING, SERIESBEST COSTUME DESIGN, SERIESBEST BACKGROUND MUSIC, SERIESBEST VFX, SERIESBEST SOUND DESIGN, SERIESBEST MUSIC ALBUM, SERIESBEST STORY (WEB ORIGINAL FILM)BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)BEST DIALOGUE (WEB ORIGINAL FILM)BEST CINEMATOGRAPHER (WEB ORIGINAL FILM)BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)BEST EDITING (WEB ORIGINAL FILM)BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)BEST SOUND DESIGN (WEB ORIGINAL FILM)BEST MUSIC ALBUM (WEB ORIGINAL FILM)BEST DEBUT DIRECTOR, SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIESBEST DEBUT DIRECTOR, WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILMBEST SHORT FILM (PEOPLE'S CHOICE)BEST ACTOR (FEMALE), SHORT FILMBEST ACTOR (MALE), SHORT FILMBEST SHORT FILM (FICTION)BEST SHORT FILM (NON-FICTION OR DOCUMENTARY)BEST DIRECTOR, SHORT FILMBEST SERIES BLACK WARRANT BEST DIRECTOR, SERIES VIKRAMADITYA MOTWANE, SATYANSHU SINGH, ARKESH AJAY, AMBIECKA PANDIT AND ROHIN RAVEENDRAN (BLACK WARRANT) BEST SERIES (CRITICS') PAATAL LOK SEASON 2 BEST DIRECTOR: SERIES (CRITICS') ANUBHAV SINHA (IC 814: THE KANDAHAR HIJACK) NAGESH KUKUNOOR (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) BEST ACTOR, SERIES (MALE): DRAMA JAIDEEP AHLAWAT (PAATAL LOK SEASON 2) BEST ACTOR (MALE), SERIES, CRITICS': DRAMA ZAHAN KAPOOR (BLACK WARRANT) BEST ACTOR, SERIES (FEMALE): DRAMA MONIKA PANWAR (KHAUF) BEST ACTOR (FEMALE), SERIES, CRITICS': DRAMA RASIKA DUGAL (SHEKHAR HOME) BEST COMEDY (SERIES/SPECIALS) RAAT JAWAAN HAI (SUMEET VYAS) BEST ACTOR, SERIES (MALE): COMEDY BARUN SOBTI (RAAT JAWAAN HAI) SPARSH SHRIVASTAVA (DUPAHIYA) BEST ACTOR, SERIES (FEMALE): COMEDY ANANYA PANDAY (CALL ME BAE) BEST SUPPORTING ACTOR, SERIES (MALE): DRAMA RAHUL BHAT (BLACK WARRANT) BEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMA TILLOTAMA SHOME (PAATAL LOK- SEASON 2) BEST SUPPORTING ACTOR, SERIES (MALE): COMEDY VINAY PATHAK (GRAM CHIKITSALAY) BEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDY RENUKA SHAHANE (DUPAHIYA) BEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL) ANGRY YOUNG MEN (NAMRATA RAO) BEST FILM, WEB ORIGINAL GIRLS WILL BE GIRLS BEST DIRECTOR, WEB ORIGINAL FILM SHUCHI TALATI (GIRLS WILL BE GIRLS) BEST WEB ORIGINAL FILM: CRITICS' BOMAN IRANI (THE MEHTA BOYS) BEST ACTOR, WEB ORIGINAL FILM (MALE) ABHISHEK BANERJEE (STOLEN) BEST ACTOR, WEB ORIGINAL FILM (FEMALE) SANYA MALHOTRA (MRS) BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILM VIKRANT MASSEY (SECTOR 36) BEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILM PREETI PANIGRAHI (GIRLS WILL BE GIRLS) BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE) DEEPAK DOBRIYAL (SECTOR 36) BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE) KANI KUSRUTI (GIRLS WILL BE GIRLS) BEST STORY, SERIES SMITA SINGH (KHAUF) SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2) BEST ORIGINAL SCREENPLAY, SERIES SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2) BEST ADAPTED SCREENPLAY, SERIES SATYANSHU SINGH & ARKESH AJAY (BLACK WARRANT) BEST DIALOGUE, SERIES ANUBHAV SINHA & TRISHANT SRIVASTAVA (IC 814: THE KANDAHAR HIJACK) BEST CINEMATOGRAPHER, SERIES PANKAJ KUMAR (KHAUF) BEST PRODUCTION DESIGN, SERIES PRIYA SUHAAS, SURABHI VERMA (FREEDOM AT MIDNIGHT) BEST EDITING, SERIES TANYA CHHABRIA (KHAUF) BEST COSTUME DESIGN, SERIES AYESHA DASGUPTA (FREEDOM AT MIDNIGHT) BEST BACKGROUND MUSIC, SERIES ALOKANANDA DASGUPTA (KHAUF) BEST VFX, SERIES PHANTOM FX (KHAUF) BEST SOUND DESIGN, SERIES BIGYNA DAHAL (KHAUF) BEST MUSIC ALBUM, SERIES AKASHDEEP SENGUPTA (BANDISH BANDITS SEASON 2) BEST STORY (WEB ORIGINAL FILM) KARAN TEJPAL, GAURAV DHINGRA, SWAPNIL SALKAR (STOLEN) BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM) AVINASH SAMPATH & VIKRAMADITYA MOTWANE (CTRL) BEST DIALOGUE (WEB ORIGINAL FILM) VIJAY MAURYA (AGNI) BEST CINEMATOGRAPHER (WEB ORIGINAL FILM) ISSHAAN GHOSH (STOLEN) BEST PRODUCTION DESIGN (WEB ORIGINAL FILM) ACROPOLIS, SUMIT BASU, SNIGDHA BASU & RAJNISH HEDAO (AGNI) BEST EDITING (WEB ORIGINAL FILM) JAHAAN NOBLE (CTRL) BEST BACKGROUND MUSIC (WEB ORIGINAL FILM) SNEHA KHANWALKAR (CTRL) BEST SOUND DESIGN (WEB ORIGINAL FILM) SUSMIT BOB NATH (STOLEN) BEST MUSIC ALBUM (WEB ORIGINAL FILM) JUSTIN PRABHAKARAN & ROCHAK KOHLI (AAP JAISA KOI) BEST DEBUT DIRECTOR, SERIES PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS) BREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIES ANURAG THAKUR (BLACK WARRANT ) BREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIES LISA MISHRA (CALL ME BAE) BEST DEBUT DIRECTOR, WEB ORIGINAL FILM KARAN TEJPAL (STOLEN) ADITYA NIMBALKAR (SECTOR 36) BREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILM SHUBHAM VARDHAN (STOLEN) BREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILM ARRCHITA AGARWAL (DESPATCH) BEST SHORT FILM (PEOPLE'S CHOICE) DIVORCE DIRECTOR: RAAGHAV KANSAL BEST ACTOR (FEMALE), SHORT FILM FATIMA SANA SHAIKH FILM: AYESHA BEST ACTOR (MALE), SHORT FILM AYAN KHAN FILM: CHASHMA BEST SHORT FILM (FICTION) AYESHA DIRECTOR: NIHIT BHAVE BEST SHORT FILM (NON-FICTION OR DOCUMENTARY) LANGUR DIRECTOR: HAIDER KHAN BEST DIRECTOR, SHORT FILM RENUKA SHAHANE FILM: DHAAVPATTI Also Read: All Inside Pictures From The Filmfare OTT Awards 2025。针对当前国内互联网基础资源高质量发展面临的挑战，本报聚焦智能体互联网络基础设施建设、韧性域名系统体系化构建这两大关键议题，深入剖析行业痛点，探寻破局路径。 “帮我看一下手机日历中的出差计划，根据行程订好机票、出租车，再安排一下用餐。”执行用户发送给AI助手的这样一句指令，离不开多个跨平台智能体的协同合作。当前，智能体互联互通水平快速提升，正推动智能体技术从单点应用向网络化协同发展跃升。 不久前印发的《关于推动互联网基础资源高质量发展的指导意见》提出，探索构建具备统一通信协议、数据交互标准和接口规范的智能体互联网络基础设施。作为AI时代最具变革性的技术形态之一，智能体的互信、互联、互操作水平正深刻影响着AI技术的落地效果与产业价值释放。
二 | 然而，构建智能体互联网络仍面临多重现实障碍。让不同智能体一起干活，究竟难在哪儿？ 互联要闯“五道关” “单体智能解决的是‘一个智能体会不会做事’，智能体互联网解决的是‘不同智能体能不能一起把事做成’。
三 | ”中国信息通信研究院(以下简称“中国信通院”)工业互联网与物联网研究所互联网研究部主任李炳奇告诉记者，当前，AI正从回答问题、生成内容，进一步走向理解目标、调用工具和执行任务。
四 | 但单个智能体再强，也会受到知识、数据、工具和权限边界的限制，智能体数量的增加，并不会自然形成群体智能。面向企业经营、产业链协同、城市治理等复杂任务，需要不同平台、不同组织的专业智能体能够相互发现、确认身份、调用能力并协同执行。 要实现这一目标，首先要解决智能体之间“找不到、认不准、连不通、协同难、责任不清”的问题，从而构建开放、可信、可治理的网络基础设施。“智能体互联网就是让分散的智能能力能够按需组合，推动AI从单点应用迈向网络化协同。”李炳奇说。 前景虽广，但智能体互联网建设并不是简单地把现有接口再封装一遍，而是要建立一套面向自主智能主体的网络机制。 李炳奇认为，在技术方面，智能体互联网发展壮大至少要闯“五道关”。
五 | 第一是“身份关”，要解决智能体是谁、属于谁、具有什么权限等问题，为每个智能体建立唯一标识、可信认证和动态授权机制。第二是“发现关”，要用机器可理解的方式描述智能体的能力、输入输出和服务条件，让智能体能够根据任务找到合适的合作对象。第三是“互通关”，要解决不同模型、框架和平台之间协议及语义不一致的问题，统一任务表达、状态管理和上下文传递。第四是“协同关”，要支持任务拆解、能力编排、过程反馈、异常处理和服务质量保障。第五是“安全关”，要把最小权限、加密传输、运行隔离、行为审计、风险监测和责任追溯嵌入全过程，最终实现能力可发现、身份可认证、任务可协同、行为可管控、责任可追溯，并且在海量智能体接入的情况下仍然可靠、稳定、可扩展。
六 | 目前，中国信通院正联合产业各方，围绕总体架构、身份标识、能力发现、互联协议和安全治理等开展研究，推进标准研制、试验验证和国际交流。其中，中国信通院子公司北京泰尔英福科技有限公司正围绕身份、注册、发现、互联、安全五大环节，积极参与各类产品设计与技术验证工作，在分布式数字身份、智能体标识注册、能力发现匹配、跨域可信互联和分层安全治理等方面打通关键链路，推动不同平台智能体实现互认互通。
七 | 技术标准有待统一 尽管当下绝大多数智能体均具备调用外部工具、对接业务系统的接口能力，但实现跨厂商、跨领域、跨技术栈的智能体互联，仍面临多重瓶颈。 就底层技术标准而言，当前行业内A2A、MCP、ANP、AIP等多种交互协议并行探索，异构智能体底层技术栈、语义表达体系各不相同，缺乏有全行业共识的统一通信规范与语义对齐机制。大量智能体处于“各自为战”的孤岛状态，即便能连上外部系统，也难以与其他生态的智能体开展稳定、高效的自主协作，跨生态适配成本居高不下。 李炳奇说，目前，智能体互联仍处在标准形成期，企业协议、开源项目和国际标准同时存在。例如，从产业侧看，MCP主要解决智能体与数据、工具和外部系统的连接，A2A主要解决智能体之间的发现、通信和任务协作，两者具有较强互补性。
八 | A2A已由Linux基金会托管并发布1.0稳定版本，MCP也已纳入Linux基金会旗下的Agentic AI Foundation，这说明相关协议正在从企业主导的技术方案，逐步走向开放、社区化和相对中立的治理模式。 从国际标准组织看，互联网工程任务组(IETF)已围绕智能体发现与调用、身份管理、任务协同和跨域互操作等形成一批互联网草案；全球移动通信标准制定国际组织第三代合作伙伴计划(3GPP)也开始从6G体系角度研究智能体的注册、发现、鉴权和通信。但值得注意的是，相关互联网草案仍属于“工作中的提案”，尚不等同于正式国际标准。 “总体来看，当前技术路线和协议仍较为分散，跨平台互操作所需要的身份、发现、寻址和信任等公共层能力还不完善。”李炳奇说，此外，智能体具有较强的自主性，对错误调用、权限越界、数据泄露和责任认定等问题，需要建立不同于传统软件的新型治理机制。同时，测试评估、服务质量、成本结算和生态运营模式也尚未成熟。 落地场景仍需沉淀 找到应用场景是推动智能体互联网进一步壮大的关键。
九 | 当前，对于智能体互联网的场景挖掘尚显不足，需要多智能体相互协作，尤其是跨平台协作的刚需场景较少。
十 | 大多数场景仍停留在单体智能体或企业内部编排层面，真正跨组织协同、能够形成明确投入产出比的场景还不够多。
十一 | “智能体互联网的发展需要兼顾技术攻关和场景落地两方面。”北京泰尔英福科技有限公司智能体创新部副总监胡嘉明认为，智能体作为自主性更强、风险更高的新型网络交互载体，应当有身份安全、互联安全的制度保障。
十二 | 同时，要充分发挥我国丰富的应用场景潜力，加速探索智能体互联网赋能产业的新场景、新服务、新模式，通过场景验证和市场筛选，让可复制、可持续的智能体互联网应用场景逐步沉淀。
十三 | 胡嘉明介绍，以智能体互联网示范网络为工作基础，北京泰尔英福科技有限公司研发了可支持多智能体协作的智能体工厂、智能体公共服务平台、供应链协同平台和产业供需对接平台，在智能体编排调度、政务民生服务接入、上下游跨组织协同和企业供需智能匹配等场景开展试点验证、产业服务。 “既不能等到所有标准完全成熟后再行动，也不能在标准缺位的情况下盲目铺开。”李炳奇建议，应坚持“标准先行、场景牵引、试验验证、治理同步、开放合作”理念，先建设试验网络，构建身份、发现、互联等公共能力，再选择制造、商贸、政务等高价值场景开展小切口、深流程验证；同时完善检测认证、审计溯源和风险处置机制，积极参与国际标准和开源生态建设，逐步形成开放互联、可信可控、可持续运营的智能体互联网产业生态。 (科技日报 本报记者 都 芃) 【编辑:刘欢】。
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